The multi-genre artist published her debut novel, Promise, this summer. It’s a continuation of her life’s work: exploring the intimacies of Black women.
for many years before it really became this physical book. It really germinated when my mother passed away in 2014,” Griffiths says. “By the time my mom was making her transition, this young girl’s voice, [Cinthy],was really alive in me.”is preceded by a long career as both a poet and visual artist. Griffiths has written four books of poetry, the most recent of which,, won the Hurston/Wright Legacy Award in poetry and the Paterson Poetry Prize in 2021.
Griffiths plays with the question of interiority. “It’s a continuation of what [W.E.B.] Du Bois calls ‘double consciousness in the veil,’” she explains, referencing the sociologist and writer’s famous metaphor for Black consciousness in an anti-Black world. “It’s also gender and femininity and sexuality … all of those things that don’t really align and sometimes do cross over into the exterior world. I am very committed to having deeper self-knowledge.
“where the granny is talking about Black women being the mules of the world” in contrast to “the delicacy of the pear blossom and of sensuality and texture.” Instead, Griffiths says, “I want to deliberately assert that right to the dream world, to delicacy, to sexuality, to boldness—not because it’s by force, but because I’m living my best life. I’m bold, I’m here. I’m amazing, my thoughts, my everything, my oxygen.
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