Oppenheimer director Christopher Nolan unpacks his obsession with time, a motif that has seeped through his work from Memento to Interstellar.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Auteur director Christopher Nolan unpacks his obsession with time in his movies. This year, Nolan directed Oppenheimer, a bold biopic that set box office records as it faced up against Barbie for 2023’s most notable cinematic competition of the year. Before Oppenheimer, Nolan was known for copious other mind-bending and technically experimental films, including Inception, Dunkirk, Interstellar, and Memento.
It’s a question I’ve been asked a lot actually about why am I so interested in time. To which my glib answer is, well I’ve always lived in it. And it sounds glib, but it’s the truth. It’s the most fundamental part of our human experience, it’s, how we perceive the world is defined by time. Cinema is uniquely suited to dealing with it. Some years ago I wrote a thing for Wired magazine.
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