ICYMI: The film is gearing up for its international debut at the Fantasia International Film Festival in Montreal, Canada this August. | INQdotnetUSA
The film delves into the concept of migration, the normalized act of leaving one’s home country. It also tackles on the complexities of identity and native heritage. “In my head, it makes so much sense to leave the country if given the chance, but of course, that is also hampered by a lot of contradictions,” says Barit in an exclusive interview.
The festival runs from July 20 to Aug. 9, but “Luzonensis Osteoporosis” is slated on Aug. 7 at the J.A. de Sève cinema.It might seem ironic to use a prehistoric hominid to represent modern-day migrant workers, but Barit has his reasons. Diving deeper into the symbolism, Barit highlights the migratory nature of hominids. He also emphasizes how it parallels the current reality of Filipinos seeking opportunities abroad due to an “unstable and unjust socio-political landscape” in the country.
Returning home after working overseas, Luzonensis’ father already has an upright back. It’s an implication that he has finally embraced the ways of the modern world. Meanwhile, Luzonensis still yearns for his homeland, finding solace in his primal instincts and arched back. “To put it bluntly, their backs ache as a reminder of home and their identity.”
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