Perspective: Kenzaburo Oe, who died on March 3, was one of Japan’s most important contemporary writers. Here’s where to start with his work.
his process as one of continual revisiting and elaboration: “I try to fight the same opponent one more time.” His work circled tirelessly around a few essential ideas, namely the life of his son Hikari and the bombing of Hiroshima. He called his style “peripheral,” since it turned away from conventional values of equanimity and artful vagueness; instead his prose was ornate, maximalist and direct in its examination of ugliness and suffering.
novels about the life of Oe’s son Hikari, who appears under his own or other names throughout his father’s fiction. The experience of parenting a child with a severe mental disability is what Oe called one of the central, structuring pillars of his work.Though Oe is primarily known as a novelist, “Hiroshima Notes,” an essay collection from 1965, is one of his best-selling works.
,” four years later. The profile provides an unusually intimate view of Oe’s life, including his tense relationship with the novelist Yukio Mishima, and hints at the political activities he would undertake in later years.
in 1995, “and while the early pieces are appealing primarily for their simplicity and charm, some of the later, darker ones are extremely moving, with haunting melodies and striking elegance and economy of development.”” . The movie that made Itami internationally famous was his “noodle western” from 1985, “Tampopo,” in which a ragtag band tries to save a single mother’s failing ramen restaurant.
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