One of the highlights of this year’s Cannes Film Festival was the international unveiling of the great Spanish auteur Pedro Almodóvar’s 21st film, Pain and Glory (Dolor y gloria), which is hi…
One of the highlights of this year’s Cannes Film Festival was the international unveiling of the great Spanish auteur Pedro Almodóvar’s 21st film,which is his most personal yet — a look at a film director and his memories that represents the closest thing to Almodóvar’s own That 1963 masterpiece was Federico Fellini’s exploration of his own career behind the camera with frequent muse Marcello Mastroianni channeling him, however fictional the story was.
Almodóvar uses Mallo’s memories as a key component as the film goes on from there, flashing back to the 9-year-old Salvador and his relationship with his mother , as he begins to sense his own budding relationship to the arts and even emerging sexuality — the latter in a scene where he glimpses the young handyman hosing himself off after a long day’s work.
The film also is steeped in movie lore and images, something irresistible to an aficionado like Almodóvar. Thus we have sweetly nostalgic glimpses of a young Warren Beatty and Natalie Wood inand Marilyn Monroe circa 1953 on the big screen, among others. Almodóvar is a film fan first and foremost, and it always shows in one way or another.
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