Today’s biggest fashion players are rewriting awards show style rules, going for drama, self-expression and authenticity — to great rewards. From gender-bending ensembles to explosive volume to non…
Today’s biggest fashion players are rewriting awards show style rules, going for drama, self-expression and authenticity — to great rewards.
With Porter’s looks, Ratelle aims “to blur the line between masculinity and femininity.” For the Globes, he and designer Alex Vinash reinterpreted the classic men’s tuxedo. Porter’s all-white suit with removable feathered train symbolized “peace, hope and new beginnings.” They added temporary tattoos of butterflies to convey Porter’s 2020 theme of freedom. “The thrill of being Billy Porter’s creative director is that he is also an artist with a strong desire to take risks and make bold statements.”
Chalamet — whose Louis Vuitton “harness” at last year’s Globes went viral — sparkled in a Swarovski crystal embroidered Louis Vuitton hoodie at the BFI London Film Festival. At Venice, he debuted “The King” in a silver-belted Haider Ackermann suit, and at the National Board of Review Awards, Chalamet paired a peace sign T-shirt with a retro Stella McCartney tux.
Phoebe Waller-Bridge exuded “cool girl” at the Globes in a black lace Ralph & Russo suit — even more so after auctioning it off for Australian wildfire relief. Millie Bobby Brown’s request for “a masculine but very feminine” SAG look yielded a white Louis Vuitton dress over pants, and Margaret Qualley’s black wool Chanel pantsuit conveyed the same comfortable-chic ease as Margot Robbie’s awards looks this season by the house.
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