'Oppenheimer' Cinematographer Says Making IMAX Film Cameras More Accessible 'Is Like Defying Physics'

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'Oppenheimer' Cinematographer Says Making IMAX Film Cameras More Accessible 'Is Like Defying Physics'
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'Oppenheimer' Cinematographer: Working With IMAX 'Is Like Defying Physics'

The Big Picture It's accepted in the film industry that shooting on IMAX cameras is the pinnacle, the gold standard of filmmaking, and it's something to which Hoyte van Hoytema has become accustomed during his decade-long collaboration with Christopher Nolan, with the pair reuniting to work once more on Oppenheimer.

It's something van Hoytema is acutely aware of, as he explained to Collider's Steve Weintraub in a one-to-one conversation, which covered a host of topics about the Dutch-Swedish cinematographer's work and career. Van Hoytema spoke of his love for IMAX, but also accepted the difficulties and limitations of it, admitting it was something that was a problem even J. Robert Oppenheimer himself would struggle to solve.

Science Class with Hoyte van Hoytema Van Hoytema then, remarkably, performed an impromptu technical demo, where he demonstrated how motors in cameras work by using a 35mm film strip. When using 70mm film which, is not actually double the size of 35mm, but rather three and a half times the size of regular film, you start to understand why the motors in a camera using 70mm film is going to be loud, noisy and unwieldy, even if the results it provides are nothing short of pristine.

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