In Oppenheimer, Nolan’s depiction of atomic history is credited to one man. We rarely see women and wives, with few words spoken.
, Tarashea Nesbit’s 2014 novel about the development of the atomic bomb, we are immersed in the words, work and worries of over 600 wives in a secret town in New Mexico.
The limits to women’s vision map this secret town as a part of wives’ work. They set up households as they are built, relish hard-to-procure bathtubs, cook meals with unsatisfactory stoves, get pregnant, raise children, throw parties and volunteer.. “Now here there were jobs for us. The Director came to our house and asked us to ‘Please think about working while you’re here, it would be a good career opportunity.
What work do wives do in this book? They understand male scientific and military might and destruction from the perspective of the unwitting receiver , which is the role most of us play.‘ with notable speaking roles. … But any potential power in these roles shifts at the whims of men.
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