Writer-director Strange-Hansen and producer Kim Magnusson talk to THR about their personal connection to their Oscar-nominated short.
Twenty years ago, Kim and I made a film. It was called. We had the wrap party for that at a karaoke bar, and I was drunk and I was happy because we just wrapped, so my emotions were pretty high up. One of the makeup artists said, “Martin, don’t you want to sing a song?” I was like, “Yes, sure. I want to sing a song.” And I went up to the karaoke bar, and I grabbed the mic. I didn’t leave the mic for three hours straight. I didn’t get the rules of karaoke.
Talk to me about production. When did you start and wrap production? How many days did the shoot take?The shoot was four days, which was shot during the pandemic. It was limited to crew on the set, and at the time, the official rules in Denmark were that you’d be allowed 10 people in a room at any given point. So some crewmembers had to be outside of the building and then come in when it was their turn to do work, and then they always had to go out. There was like a little bubble.
Another funny part — which is something I’ve never done before [and] again because of the pandemic — my editor and I were never in the same room while doing this film. … [In terms of the song “Always on My Mind,”] I love the song and that’s of course [why] it has to be there.
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