'We live, we die — why not talk about that while we're here and try to make that a human experience?' Natasha Lyonne (nlyonne) explains what made her ready to tell the story of RussianDoll – which is nominated for 13 Emmy Awards. THRRoundtable
The wonderful thing about the valley is there's no risk there. I can remember early on seeing peaks and thinking, "I guess we've arrived?" And then you discover, of course, there's nothere. I have known these two ladies from round one and I'm still close with them now in round two.
You've been open about your past struggle with drugs, but what about the period right after, as you tried to climb back in Hollywood? How did you convince the industry that you deserved another shot?The simple truth in any conversation about recovery is that things take time. We have such a fantasy about [recovery]. A movie likeis inherently problematic for us as a society — not that it's not a wonderful movie — because it's dangerous to think that things take [28 days].
Alex, you've moved fluidly between writing and acting; what was it like to segue to a project that's very much somebody else's baby and you're hired to read her lines?It's freeing. I'm really more of a writer than an actor and the writing is the hardest part of anything. For me, anyway. It's so taxing that to just act is like, "Oh, my God, this is so great to just show up and it's not your problem.
Phoebe, how do you make decisions about when to write and act versus just act or just write? And where are you most comfortable?At the beginning, no one was giving me acting roles. I'd get bit parts here and there, but I really wanted to play a character that made me excited and I was moaning about it so much that I was, like, just, "[I need to] write one.
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