REVIEW: In 'No Bears,' Iranian filmmaker and dissident Jafar Panahi turns a self-reflexive story of a filmmaker on trial into a flipped bird to the authorities.
Still, the change of the scenery is lovely, and Panahi can concentrate on his work when he’s not searching for a signal. The owner of the place he’s staying at, a man named Ghanbar , is slightly starstruck — marquee-name moviemakers don’t usually come to town — and tends to his guest’s needs. A wedding is being planned, which has put everyone in a festive mood.
Then Panahi lets the tone shift, and suddenly, there’s an edge of hostility that creeps into this tale of a bucolic busman’s holiday. The locals think that the director took a picture of a couple while casually shutterbugging. Specifically, he may have captured the bride speaking to a man who’s pined for her for years. Accidentally, purposefully — Panahi’s intentions are unimportant to them. The village elders, not to mention the angry groom, want proof. They demand to see the picture.
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‘No Bears’ Trailer: Jafar Panahi’s Venice Jury Prize-WinnerSideshow and Janus Films have unveiled a new U.S. trailer for ‘No Bears’ — the ninth feature from acclaimed Iranian filmmaker Jafar Panahi, which will open at the Film Forum in New York this Friday, December 23. WATCH:
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Jafar Panahi’s Ingenious, Tragic “No Bears” Is a Formalist TriumphIn his latest film, the now jailed director Jafar Panahi captures the daily absurdities of Iranian lives ruled by surveillance and superstition.
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An Iranian masterwork opens with its director behind barsAfter being arrested for creating antigovernment propaganda in 2010, the Iranian director Jafar Panahi was banned from making films for 20 years.
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An Iranian masterwork opens with its director behind barsAfter being arrested for creating antigovernment propaganda in 2010, the Iranian director Jafar Panahi was banned from making films for 20 years
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An Iranian masterwork opens with its director behind barsOne of the most acclaimed films of the year is landing in U.S. theaters while its dissident director, Jafar Panahi, is imprisoned in Iran. The film is raising questions about the Academy Awards' policy for best international film nominees.
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