'Mrs. Davis' Director Owen Harris digs into Episode 5 with fIetcherpeters, from Mathilde and Clara’s messed up mother-daughter relationship and Simone’s connection to them, to using Amélie as an inspiration and why AI couldn’t write a show like this.
I was sent the script by my agent. I read it and almost immediately wrote back to him and said, “What the fuck have I just read?” Literally within a second I thought, “Hang on, that’s going to sound really bad.” So I immediately emailed him again and said, “But
It was also towards the tail end of the pandemic. I felt like the world was doing a much better job of dystopia than anything you could dramatize. It felt like it’d be really lovely to do something that had a fresh and optimistic heartbeat to it. My response [to the script] was, “Wow. How do you do this? It’s going to be really challenging.” But that’s what gets you up in the morning, to try and figure that out.
It’s quite a complex operation to try and run the two things, but it created a really nice energy for the behind-the-scenes [shots], because it was real. All the mess of what goes into making a film was there. The little flashes you get behind the scenes were the behind the scenes of our actual shoot. It gets even more meta as you get into how we shot it. At one point, there were two directors on set, me and Katja.
The Grail actually having a behavior and being slightly childlike in its behavior is something I thought was really fun—but also, being powerful and something you obsess about. [This characterization] was a playful way of dealing with something that is ultimately both a myth and a legend, depending on how you feel about things like the Holy Grail. It found that balance really well.
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