Kit Willow, the designer of the Kitx, shares how the Australian bush fires have redoubled her commitment to sustainable practices.
Photo: Kit WillowHere in Australia, 2019 was the hottest and driest year on record. The fires started in September—months before what used to be the official start of the fire season in this sunburnt country—and they’ve only spread since. The scale of the disaster is truly apocalyptic.
Last month in Sydney, where I live, the air was so thick with smoke that my kids’ schools posted signs: “All children must stay indoors due to hazardous smoke, no outdoor play allowed.” Our eyes stung and the sun was red all day, casting an ominous orange light. We kept the windows closed to stop ash from getting into the house, and masks suddenly appeared on the streets. It was reported that the pollution was 12 times the threshold for hazardous air quality.
Now, here we are in January 2020, a new year and a new decade, and the fires continue to rage. Over the weekend, evacuees arrived near my parents’ property in Hastings, Victoria, on the southern coast near Melbourne. They’re refugees from the fires, from climate change, though don’t count on the Prime Minister Scott Morrison to call them that; he has so far declined to admit the role that rising temperatures play in this conflagration. Our volunteer firefighters are the true heroes.
The fashion industry is a huge polluter, estimated to be the second or third largest behind oil, with 70% of this impact coming from the material sourcing stage. Designers and brands need to make new commitments.releases nitrous oxide into the atmosphere, to say nothing of theTo insist that every component and material that goes into ourtoxic chemicals have been used in their creation, contaminating water,waste and to design with them in ways that minimize the need for washing.
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