Review: Moonfall crashes short of a successful landing.
), is scooped by the boring old government. Houseman’s plot, the standard “please listen!” entreaty, is totally negated in that way. Sure, Houseman provides extra information aboutthe moon is falling—but all of his early fluster essentially serves no purpose if NASA so easily finds out anyway.
Why would Emmerich undermine such a treasured convention? That error can’t really be laid at the feet of the pandemic; it’s a problem of negligent filmmaking. So are the rigid, empty stock characters played by, he the disgraced astronaut who has actually been a hero all along, she the steely pro who . . . I dunno, got divorced? There’s really not much else to Berry’s Jo Fowler, part of the NASA brass scrambling to stop the moon from killing the planet.
As the moon descends toward earth, it causes all manner of nightmares, like floods and volcanic eruptions and “gravity waves.” But the ruin remains mostly faraway, on TV, until the very end. There is a lot of talking in rooms in, way more than there should be in a big dumb disaster movie. That, I suppose, can be attributed to the realities of pandemic filmmaking. But I’d have to imagine that with $140 million at his disposal, Emmerich could have figured out a few clever ways to jazz things up.
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