Lysette plays a trans woman who returns home to care for her dying mother (Patricia Clarkson) in this Venice competition entry.
, the director tries to wring tension from visual and narrative austerity — a mostly static camera, deliberate pacing and parsimoniously doled out bits of backstory.
Buthad a masterful Charlotte Rampling seeming to invent new ways to embody unhappiness before our very eyes, andwas imbued with an atmospheric, slow-motion horror. These were dreary and self-consciously detached works — think Haneke lite — but, in their déjà-vu art house way, effective.
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