'There are millions and millions of shots of people kissing and making love that don’t say anything about the feelings. It’s extremely difficult to have these contain the sexuality, but also depth that I want to give it,' Mia Hansen-Løve says.
Still, Hansen-Løve recalled seeing Seydoux blush when she was asked to kiss Melvil Poupaud, who plays the love interest in their new film, which releases in theaters this weekend. After Sandra and Clément meet through their two young daughters, the pair begin an affair—he is married, she is widowed—that starts with a playful kiss in his lab. Their first kiss is a tender, electric moment—possibly because of how awkward it was to film.
“For some reason, I don’t know if it had to do with the atmosphere of the shooting of my film or maybe because it was less cinematic than she’s used to—more like real people,” Hansen-Løve said. “The fact that she was playing somebody more real than some other parts she’s had, it was more intimidating for her.”, with a smattering of intense, passionate sex scenes as their affair unfurls.
I know a lot of directors, in the past, have worked in a very different mood, looking for conflict. I think great films were made out of terrible relationships between directors and actors, but it’s not what I believe in.It has to deal with the fact that I always thought that making films was both about art and the art of living. When you make a film, it’s not only about the result and how good the film will be, what it will mean in the history of cinema—it’s also about the experience itself.
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