From ‘Glee’ to ‘Dahmer,’ nine-time Emmy nominated director Paris Barclay reflects on his most iconic episodes of TV.
and other great broadcast dramas. What do you remember about the pace of making these shows, the schedules of the day, and the particular challenges of making that kind of television, which isn't as common today?or with David Milch, you're not going to get the script in a timely way. You're going to get the script piecemeal and you're going to have to shoot it very soon. That was the way those guys worked.
I try to be as invisible as possible when I'm doing it. I try to not make it about me; as much as I enjoy myself, I don't think the episode should reek of, “Oh, look what Paris did.” In fact, in “The Indians in the Lobby,” I think I made a really egregious mistake by using this circular Steadicam shot, which was not in the style. We didn't circle around people continuously in that way in.
You started working on a lot of visually ambitious shows around this time, as the medium was evolving. Did you notice the method of working start to change?. I did one episode, and it was also a very late script. The script had virtually none of the major characters other than]. I was a fan of, so I was disappointed that I didn't have the cast to work with. It was the episode “Stranger in a Strange Land.
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