Todd Haynes, who has appeared on behalf of his latest directing outing, May December, since its splashy debut in Cannes, turned to a new collaborator when promoting it at the New York Film Festival…
“It will be so fun to finally have her onboard with us!” he enthused, wrapping his arm around her as the crowd at Lincoln Center’s Walter Reade Theater broke into applause. “It helps us a little bit with the grief of not having actors.”
That was the most prominent mention of the strikes during the 20-minute press conference for the Netflix release. As the fall festival circuit segues into general awards campaigning, all eyes are going to be on SAG-AFTRA talks with AMPTP, which resume Monday.
Although Burch provided a boost to the proceedings, Haynes also took a moment to recognize the value of having Moore and Portman be able to address the performance dimension of the film. One press member asked Haynes about how he created “the most fascinating lisp in film history” for Moore’s character. Haynes demurred. “I did not create the lisp,” he said.
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