The director also discussed how she convinced TomHanks to play Fred Rogers
would center on the late Fred Rogers, who sang these very words over and over again on his PBS show,; however, that's not exactly the case, according to director Marielle Heller.on Sunday at a special screening of the filmin lower Manhattan. "He doesn’t make a good protagonist of a movie because he’s too far in his evolution. He makes a great antagonist."
"[The film] is a reintroduction to the radical philosophy of kindness that Fred Rogers lived and preached," said producer Peter Saraf. "It’s a reintroduction through a relationship with a grown-up, an adult — which, for me, was really the genius of it because we think of him as only associated with children. But he had something to say to all of us."
The idea for the film's screenplay was even sparked not by writer Noah Harpster's own experience with the PBS program, but his toddler's. After watching her "listen to Mister Rogers in a way that she never listened" to him, Harpster quickly got to work with fellow screenwriter Micah Fitzerman-Blue.Since then, in addition to rewriting parts of the film as they furthered their research, the duo had been working tirelessly to land Hanks.
The rest was history. Everyone then turned their focus to research, which led to the development of a relationship with the Fred Rogers Center and the people who were close to Rogers, including his wife Joanne.
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