MarieAntoinette winds up feeling much like Versailles itself: outwardly glamorous and luxurious without saying much underneath. Our review:
When it comes to a historical figure as well-known — or notorious, perhaps, depending on your point of view — as Marie Antoinette, the pressure is on for any new adaptations of her story to put a new spin on things. There's also the demand to provide new incentives for audiences to check out a story they've heard already, or to lure them away from a favorite retelling to give a new one a try. Such is the burden placed on PBS' upcoming period drama Marie Antoinette.
The early days of Louis and Marie's marriage are familiar ground to anyone who has studied the French monarchy — as I had to for longer than I'd care to remember — for those who grew up on Kathryn Lasky's Marie Antoinette: Princess of Versailles, or most notably those familiar with Sofia Coppola's Kirsten Dunst-starring film of the same name. Under showrunner Deborah Davis, it's clear the show is trying to go for something different, edgy yet restrained, glamorous yet gritty.
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