'As a woman in this industry, I think it’s so important to take ownership of your career and over the projects you do.' As Elizabeth Moss's latest project, The Invisible Man, hits theaters, revisit the star's 2017 interview wiith W:
. Eventually, in her forties, Atwood decided to try her hand at writing one herself. She wanted to locate what she calls her"speculative fiction" in the real world; everything in the book, she decided beforehand, had to be something that humans had done at some point throughout history, meaning her primary sources were newspaper clippings and texts like the Bible.
What emboldened Moss, in fact, was the show’s unavoidable politics. “I think art is one of the great ways of communicating how we feel about our government, and that’s something that’s a privilege to do,” Moss said. “It’s a TV show, and you want it to entertain people, but if you have the chance to do something you actually believe in and can stand up for and gives you a chance to say things that you do believe, I consider that a total benefit, and I don’t shy away from any of that stuff.
Of course, not every day, or every scene, can be so burdened with symbolism. “Other than that, you know, it’s work," Moss said. Atwood is even more no-nonsense. Of her cameo in the show, in which Atwood plays a guard in the center where fertile women are trained and brainwashed, and in which she has to slap Moss's character violently in the face, the author only shrugged and said: “It’s acting.
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