.DylanScottCntry & his collaborators tell the story of how Nobody was created
collaboration “Meant to Be” similarly employs gospel textures to convey romantic conviction, and Scott’s “Nobody” — with its church-y instrumentation, downward-turning chords and repetitive hook — plays with some of the same stylistic trappings.
They repeated that phrase three times in the chorus, breaking just once in the song’s melodic peak — “I’ma love you ’til the good Lord/Comes back for me and you” — before delving back into the “nobody, nobody, nobody” theme.In fact, Alderman and Wilson argued that they should change a line or two in the chorus to make it less repetitive, but Scott put his foot down.
The opening verse, pitched in a melodic tier that shows off the richest section of Scott’s range, establishes the status of the relationship. The singer acknowledges that his romantic partner turns heads, but instead of burrowing into jealousy, he laughs off other men’s interest, signaling that he’s confident in himself and his woman’s commitment.
"Dylan had a lot of influence on the phrasing,” says Wilson. “What’s cool about him is he has got such a deep country voice, but he’s a Louisiana guy, so he’s got a lot of soul, too. And I think you can kind of get a little more syncopated with melodies and it’ll still work with country because of that honest tone that Dylan has.”
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