“Among the 16 films that Newman and Woodward worked on together, ‘Rachel, Rachel’ is, arguably, the most essential one of all.” Read the latest from yohanadesta
and a potent sex symbol known the world over for his icy gaze. Woodward took this in stride, poking fun at her husband when asked about his success in interviews. The great equalizer in their relationship was the fact that Newman, in spite of his outsized success, thought Woodward was the superior actor, according to daughter“[Woodward] knew that her husband, who was really famous, deeply believed that she was a way better actor than she was,” Lissy says in the docuseries.
Newman had become interested in shepherding good scripts to the screen, even if there wasn’t a role for him. EnterHe and Woodward teamed up to produce it, but found it difficult to secure industry support, though Newman had just come off one of the most iconic films of his career. Even with all that power, a sensitive drama about a woman’s midlife crisis was—and still is—a tough sell in Hollywood.
Woodward is, simply put, astounding in it. She plays Rachel to devastating effect, keyed in to the character’s bone-deep sadness. From the moment she appears onscreen, practically murmuring Rachel’s depressing narration, the film’s simple plot develops serious gravity. But she doesn’t spend all her screen time just wandering and moping. The film has demanding scenes, including one in which Rachel has an enormous meltdown during a church service, crying and screaming among the congregants.
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