Lil Uzi Vert goes into interstellar overdrive on ‘Eternal Atake.’ Read our review
plays out across three six-song sides. The first, which introduces Uzi’s Baby Pluto persona, is a relentless barrage of flexes and the site of the album’s most memorable rapping showcases.
The second side, which features Uzi’s Renji alter-ego, is the album’s strongest and most vulnerable. On “I’m Sorry,” a break-up postmortem, he seems to wonder if his fame is preventing him from making meaningful human connections. The bittersweet, Keef-produced “Chrome Heart Tags,” suggests that retail therapy and Bentleys are the best remedy for relationship blues .
The skits, created by Uzi’s engineer Kesha Lee and stitched to the ends of several songs, together account for less than 45 seconds of the album’s 62 minutes. Lee’s sound design—the rush of Uzi getting sucked into a portal, the hum of the spaceship engine, the unsettling, pulsating rumble coming from the great beyond—co-exists seamlessly with the album’s production.
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