Read our full review for Libertine Spring 2020:
Johnson Hartig’s spring 2020 show was a homecoming times two. Having presented his fall collection in his native Los Angeles, this season the designer brought his show back to New York. He used the opportunity to celebrate his home textiles and wallpaper collaboration with Schumacher. “It’s really exciting to see walls upholstered in the same fabrics as your outfit,” said Hartig backstage. It might be the first and last time fashion’s most ebullient magpie celebrates things matchy-matchy.
This collection was full of all the classic Libertine tropes: Mixed prints! Crystals! Reworked Vintage! Humor! Hartig revisited the streamers he introduced for fall on an all-white suit. The news came in the form of draped tie-front jackets—à la Donna Karan ’91, Hartig quipped—and, of course, the new prints and motifs, like the pink roses that were strewn over menswear and the metallic on a shrunken women’s suit.
This was a very personal collection, as Hartig, a homebody, incorporated some of his passions—such as his collection of 19th-century blue-and-white Staffordshire porcelain—into the prints for his own line and the one he did for Schumacher. Models wearing the Staffordshire print walked on the runway covered with the same.
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