Cue the fan art.
is solidifying herself as the Queen of the Livestream, as exemplified by a recent spate of hilariously endearing chats and impromptu acoustic performances.
And things only got better when she decided to do another brief Q&A, in which she revealed that the title for
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Every Lana Del Rey Song, Ranked: Critic's ListLana Del Rey's told so many different stories within and outside of her music, that ranking all 89 of her individual songs allows a valuable opportunity to take a critical look at her entire body of work.
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Watch Lana Del Rey & Jack Antonoff Jam Acoustically to 'Norman F--ing Rockwell'For Lana Del Rey's latest Instagram Live, she joined 'Norman Fucking Rockwell!' collaborator Jack Antonoff to sing an acoustic version of the title track.
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Lana Del Rey slams NPR critic Ann Powers' review of new albumSinger Lana Del Rey didn't mince words on Twitter when she roasted NPR music critic Ann Powers' review of her latest album, 'Norman F— Rockwell.'
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Lana Del Rey: Vamp of Constant SorrowLana Del Rey, who released her masterpiece 'Norman Fucking Rockwell' this week, gave her most revealing interview ever in our 2014 cover story. Read it here
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The Downlow(d): Did Lana Del Rey Diss Camila Cabello?Entertainment Tonight (ET) is the authoritative source on entertainment and celebrity news with unprecedented access to Hollywood's biggest stars, upcoming movies, and TV shows.
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Review: Lana Del Rey's Norman Fucking RockwellLana Del Rey built her career on a collection of scattered, kitschy Americana imagery, cooing in Marilyn Monroe pastiche about blue jeans and Pepsi Cola. It earned her an unworthy reputation as a character (and the bizarre fascination with her fake name and fudged backstory didn’t help either), just a shallow curator of vintage sounds and feelings. But she used her references, clinging to biker boys on the open road, interpolating the chorus of “He Hit Me and It Felt Like a Kiss,” sharply as a songwriter, recognizing the darkness of American pop culture. With every album, the white picket fence bordering her oeuvre got more and more battered. By the time she explicitly asked, “Is it the end of an era? Is it the end of America?” on Lust for Life’s “When the World Was At War We Kept Dancing,” she’d been asking the same in her music, in different ways, for her entire career.
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