Kutiman’s ‘Open’: a global excursion of infectious soundscapes

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Kutiman’s ‘Open’: a global excursion of infectious soundscapes
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Melding searing Afrobeat horns, electric jazz-funk, classic soul, to Middle Eastern-tinged psychedelia, 'Open' is a globe-trotting sonic excursion by Israeli multi-instrumentalist and composer Kutiman

When he moved to Tel Aviv at the age of seventeen to study jazz at the prestigious Rimon music college , it was while working at a convenience storethat he stumbled across Parliament, DJ Shadow, Massive Attack, and Amon Tobin that provided his earliest musical education.

Drawing upon genres running the gamut from spiritual jazz to psychedelic funk, Kutiman’s diverse discography is a testament to pushing any limits that might exist within his capabilities – hurdles that are ultimately addressed by continually embracing new styles and cultures. After nine years of living remotely in a kibbutz in the Negev Desert, Kutiman moved back to Tel Aviv to record his sixth studio album,, he attempts to connect the dots between German krautrock legends Can, Brazilian composer extraordinaire Arthur Verocai, and psych-pop giants Tame Impala, delivering an eclectic groove-laden sound over twelve tracks.

From searing Afrobeat horns, electric jazz-funk, classic soul, chopped-up field recordings, Middle Eastern-tinged psychedelia to even classical Indian ragas,A handful of the album’s tracks include Kutiman’s longtime collaborator and vocalist Dekel, whose soulful pop vocals shimmer across five soulful arrangements.Musician and visual artist

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