After five years as a webcomic, the Atlanta-based team behind 'Kamikaze' is pushing to the next level
, as well as a love letter to animation. Can you unpack that a bit, and talk about the origins of the property? It’s been around for five years as a webcomic, and you’ve already successfully crowdfunded a print collection, which offers proof of concept that the series has an audience. How did the idea take shape? On a summer night in 2005, Alan doodled this androgynous woman in a super suit with thick, geometric dreads, a jetpack, and a smirk. I saw her and thought, “She has a story.
And editors are lifesavers! Our editors help chisel the story and characters to perfection. Rachelle Udell has been a supporter from the beginning and has been crucial in crafting the plot. D'Andrea Seabrook brings depth to the characters, and keeps me inspired when I need that creative push. Talynn Kel is the mirror that shows me how my own privileges cloud my judgement, and together we find a way to work past them. Each of them has helped me become a better storyteller, ally, and person.
The leap to animation feels like the obvious next step for the property, but what does that look like in practice? Is the 10 minute short that’s the subject of the campaign an end in and of itself, or a potential stepping stone to something larger?The short is a stepping stone to two things. First, we are looking to get a 12-episode series started. Second, we want to keep making comics.
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