Jumping into The Dive With Director Maximilian Erlenwein

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Jumping into The Dive With Director Maximilian Erlenwein
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How the scuba diving filmmaker navigated filming underwater

: When I was approached by the production company to do a remake of a film, immediately I said no. Usually I don't like remakes, and most of the time they suck. But I read the screenplay, and the thing is that I've done a lot of scuba diving in my life, and I love diving. And for me, as a German director, to get a script offered like this, I couldn't not do it.

The biggest difference is that the original was shot only in the studio, and I wanted to shoot as much in the ocean as possible, to capture that world I love so much. Diving is like flying on a different planet. It's just amazing and beautiful, and I thought, 'If I can just capture a little of that feeling I have when I'm diving, that's enough for me.' And to make it as terrifying as possible, of course.

We stepped into every trap in the beginning. We did everything wrong, but after a few days, you get into it and you get more effective. The whole machinery, you have to simplify it. You can't go into the ocean with a big crew. You have to make the crew very small, very flexible, and react to the weather – and then it's actually very fun and very rewarding.

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