The first time Joe Alwyn came to the Cannes Film Festival in 2018, he walked away with the Trophée Chopard. Now he is back to help director Claire Denis compete for the Palme d’Or with Stars at Noo…
: It was amazing. She’s unlike anyone I have ever worked with, and her sets are unlike any other set I’ve ever been on. She is a force. She is completely singular and of herself and a real orator.
She can be both fierce in knowing what she wants and then incredibly tender about what she wants. It feels like she discovers everything in the moment and in such a way that… I don’t know. I think I’m probably still working out how she works. I don’t think I’ll ever work out how she works. Maybe she wouldn’t be able to answer either. It was definitely the most unique experience I’ve had with director on set, but I think she is completely grand.
I feel like it’s so much guided by tone and atmosphere as much as it is kind of academically doing her homework about who this character is or where they’ve come from, like with all of her films. I think this one is slightly more narrative driven than some of the others are, almost animalistic and driven by feeling as much as much as dialogue. Dialogue seems to sit on top of everything else in her films, like a kind of soundtrack.
DEADLINE: This is your first time back to Cannes after you won the Trophée Chopard in 2018. What does it mean to you to have
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