Jaune Quick-to-See Smith Can’t Believe She’s Still the First

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Jaune Quick-to-See Smith Can’t Believe She’s Still the First
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Her new Whitney retrospective is the only one so far to honor a Native American artist. She’s not doing it alone: “My community comes with me.”

” opens there on April 19. It will sprawl across two floors of the museum and include work made over the past five decades.

of art that moved her: the sensation of dragging a stick across the dirt, at age 3, to create circles, lines, and figures representing a smaller, kinder world than the one she knew growing up in poverty.

While in grad school at the University of New Mexico, she met the artists with whom she would form the Grey Canyon Group: Whitehorse, House, Larry Emerson, and Paul Willeto. She chose her gallery, Clarke-Benton in Santa Fe, in part because it represented several New York artists. At the time, this seemed about as close as a Native American could get to the cloistered Manhattan art world.

, paint drips and oozes down the canvas to obscure what were once clearly delineated borders; Smith intended to leave only the names of states and territories derived from Indigenous sources visible, while those with European roots seem to be absent. In, text is used to mark Indigenous communities, many of which have been moved from their homelands.

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