The Pulitzer Prize–winning playwright proves herself as a born filmmaker with this lyrical tale of a single mother and her curious daughter, premiering this weekend in Telluride.
before A24 releases it in theaters early next year, seems like the kind of movie one waits their whole life to make. That’s less a comment on its merits—of which there are many—than of its layers of experience. Centered, indeed, on a single mother and her daughter,possesses a palpably tender childlike wonder.
Put another way, being 11 can feel kind of trippy. One scene holds on Lacy staring at herself in the mirror, like a still life of a tween existential crisis. The movie’s core visuals that surround her throughout amplify that sensation. The cinematography, captured by, shifts from sharply realistic to gorgeously dreamlike, finding an uneasy coexistence between the two.
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