Jocelyn Bioh's 'Jaja's African Hair Braiding' is a celebration of Black women immigrants and sacred spaces.
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Born in Senegal, Marie has called Harlem home for nearly a decade and a half. However, a lack of immigration papers and the expensive requirements of the Deferred Action for Childhood Arrivals program have stalled her plans for university. After a quick rundown of her chaotic morning, Marie opens the shop. The sweet-hearted braider Miriam , who dreams of bringing her young daughter to America from Sierra Leone, follows on Marie’s heels.
Throughout the 90-minute runtime, there are lighthearted moments between the braiders, especially after a jewelry man , who has a crush on Ndidi, enters the shop and leaves all the ladies in a fit of giggles. Viewers are eventually introduced to Jaja, who visits the shop to show off her bridal gown—a celebratory moment resulting in a money dance.
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'Jaja’s African Hair Braiding' shines a long-overdue light on B’way“Jaja’s African Hair Braiding” shines a light never before seen on Broadway and demonstrates that it does indeed belong here.
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Review: 'Jaja’s African Hair Braiding' a lively new play on BroadwaySalons are usually havens for gossip, always good for a laugh. But as we see in 'Jaja’s African Hair Braiding,' they can also be safe spaces.
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'Jaja's African Hair Braiding' is a powerful comedy with a twist'Jaja's African Hair Braiding' is a brilliant, emotive portrait of a day in the life of the West African women working in a Harlem hair braiding shop. Read EW's review.
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| In Jocelyn Bioh’s sparkling new show, hair braiding is irresistible artJocelyn Bioh’s wickedly entertaining comedy, “Jaja’s African Hair Braiding,” opens on Broadway
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