As the Best International Feature race comes to a close, it’s fairly clear to see who the favorites are. Since it premiered at Cannes last year, Ryûsuke Hamaguchi’s Drive My Car has dominated the l…
that has taken it around the world. What affects people, Basholli believes, “is the empowerment, resilience and triumph of women in a situation where giving up is knocking on your door.” “But the best feedback that I always like to hear,” she says, “is about the sense of community that builds with the women in the film.
Of all the films on the longlist, Kuosmanen’s film has, literally, travelled the furthest: “I counted that we did more than 25,000km on the train during the pre-production and the shoot,” he recalls. “From audiences, the feedback has been really overwhelming. It makes me happy that even though the film deals with ostensibly small things, the impact of it has been huge.
Surprisingly, the worldwide lockdown bought Dorji the leeway he needed. “The delay actually gave us time to meet their requirements,” he says. “Another interesting note is that when we were finally approved to submit the film, there were more delays, as the Academy website didn’t have ‘Bhutan’ and ‘Dzongkha’ as options in the online submission forms, so they had to update the website for us.”
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