Visual-effects technicians have never been more vital to movies and TV, but can studios like Marvel accept what that means for bottom lines? __ChrisLee reports on the VFX union brewing in Hollywood
. A senior animator there says MSA suffers under its own impossible deadline structure and pixel-fucking style of dysfunction. “We’re in-house. We’re paid well. I do feel like we’re padded by money. But it doesn’t change the fact that they’re asking for things that can’t be done,” says the animator, who has worked on several MSA projects.
“We turned down work on two of their movies last year, and still, we’re on the next two,” he says. “If you’re not honest and transparent about your abilities, they can probably blacklist you. If you overestimate your own capacity and say, ‘Sure. Wire the money, and we’ll go to work,’ then you can’t get to work, that’s where there’s a problem.
of salary ranges and grievances, according to the Georgia-based worker who is a member of the group. Their goal was to establish more equitable pay rates and raise awareness of the value of VFX work. The results revealed that a visual-effects coordinator can earn as little as $1,300 a week — $18.57 an hour on the lowest end.
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