The mixed-media artist discusses her first solo show at New York’s Jack Shainman Gallery.
The mixed-media artist discusses her singular practice and first solo show at New York’s Jack Shainman Gallery.© Rose B. Simpson. Courtesy of the artist, Jessica Silverman, San Francisco, and Jack Shainman Gallery, New York. Photo: Elisabeth Bernstein.
I listen to myself, I listen to the ethers, I listen to the dimensions, and then I turn what I’ve been told into a being. © Rose B. Simpson. Courtesy of the artist, Jessica Silverman, San Francisco, and Jack Shainman Gallery, New York. Photo: Elisabeth Bernstein. © Rose B. Simpson. Courtesy of the artist, Jessica Silverman, San Francisco, and Jack Shainman Gallery, New York. Photo: Elisabeth Bernstein.
Because the slap slab is fragile, I coil-build most of my work, especially the big pieces. The technique comes easy to me, because I watched my mom do it over and over and over again. I think that that was a gift. I often think about our ancestral relationship to clay and the fact that it's embedded in our DNA.
After I gave birth, my pieces became softer and more feminine; I found power in bringing a life into the world.and it's a head that's sitting on a piece of wood with a cloud of ceramic rings on its forehead. It's about the ability to dream something, and then make it a reality. Specifically,is about a new studio I'm building, which is really a dream come true. The base is made from some of the pine scraps from the building process.
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