Joel Edgerton and Sigourney Weaver star in a spare, complicated drama about racism and (potential) redemption.
Sigourney Weaver
She isn’t the main focus of the film, though. While we wonder why Norma’s dear departed daddy had a Third Reich collectible in the first place, the film’s bigger question is that of Narvel Roth . He’s the titular horticulturist, who manages the property’s well-kept grounds. Narvel’s tightly held equilibrium is disturbed by the arrival of Maya , a grand-niece of Norma’s who has been hired as a gardening apprentice in the hopes that it will rescue her from a troubled existence. Her mother, now dead, was a drug addict, a disease passed on to her daughter. Maya is half-Black, which no doubt complicates Norma’s view of her.
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