I organized my first art show from behind bars. Here’s how incarcerated curators can help us see the world differently:
But what about artists in prisons across the United States whohave curators coming to visit them? How can their talents and voices find a way into museums? Why does it take someone from outside to decide what the public should see? And what happens when a pandemic keeps visitors away indefinitely?Over the past two years, I have taken on this role several times, even before I knew what it meant to be a curator.
The entrance to “CounterPulse,” an exhibition of work by incarcerated artists curated by the author. Photo: CounterPulse. With my input, the dynamic behind the exhibition evolved from Jewish people helping Black people to Jewish and Black people working together to end a plague that infects us all. Before she could, San Quentin went on an indefinite COVID-19 lockdown in March 2020, canceling all visits and limiting calls to one every five days. All Jo and I had left was mail. Society also sheltered in place, putting the live event in a state of flux.
I did not know what a curator did or that my role had made me one. They had commissioned me to write. I considered sending out the paintings to be a favor, extending an opportunity to my favorite San Quentin artists. After that, doors continued to open. In 2021, after COVID conditions relaxed, I acted as a curator for an in-person exhibition at CounterPulse, paired with a performance in which Jo’s dancers flew above the crowd before viewers entered the space to see art crafted by system-impacted people. Then, Kratina Baker, of the nonprofit DreamCorps, contacted me about being a curator for an exhibition coinciding with their sixth annual Day of Empathy on April 5, 2022.
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