Power and control hang in the balance as the Ruben Östlund film nears its conclusion.
Ruben Östlund’s must-see “Triangle of Sadness” is a three-part voyage of blissful chaos that cleverly flips the script on social class when a luxury cruise ship is hijacked, leaving a handful of its upper-crust passengers stranded on an island. It’s here that Abigail rises from unseen help to “Captain” of their survival. This frame captures Abigail’s realization that her newfound power is all but over while she embraces model-influencer Yaya, .
“I didn’t want it to be personal, and Abigail doesn’t have anything against Yaya as a person, but the violence that might happen moments later is connected to the outside circumstances of the situation. Abigail wants to maintain her position in the hierarchy.” The film comments on human ecology and behavior through a reticent absurd lens. “I think we’re living in a time where we’re almost staring ourselves blind trying to find the individual,” Östlund says.
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