The series’s showrunner and hair and makeup designers on the show’s braids, less-is-more makeup, and creating “honest portraits.”
of the same name, weaves a narrative that shifts between 1910 and the late 1980s. The result is a sweeping story about resilience and strength, especially for women.
“The mandate from day one was that each character had to feel as real and present as the people we know in real life,” Hugh adds. As for the fabric used to tie her hair... We wanted to convey the pragmatism of life during these times. They wouldn't throw away extra fabric just as they wouldn't throw away any parts of a butchered animal. Everything has its purpose. At the same time, we wanted to acknowledge our characters' inner vanities. This is so human, no matter what time period you live in. That's why I love those little details like the fabric used to tie Sunja's hair—utility meets beauty.
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