Guillermo del Toro's ‘Pinocchio’ has spent most of its existence on life support, but against all odds, the now Oscar-nominated film lives on.
went down so hard so many times that a final knockout seemed inevitable. At its nadir, del Toro announced it was over. But there it is now, nominated for best animated feature, the cinematic embodiment of the Hunter S. Thompson mantra: “Too weird to live, too rare to die.
Ask the Mexican filmmaker when his obsession with the wooden troublemaker began, and he’ll tell you it’s a story he has always been reconfiguring in his own head. “There may be 10 or 20 characters in literature that are that malleable,” he says. “You can retell Tarzan, the Count of Monte Cristo, Frankenstein, Sherlock Holmes, Pinocchio—you can throw them in outer space, you can set them as metaphors for technology, you can set them as a metaphor for love. They are mercurial.
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