How Ashley McBryde Became One Of Country’s Great Storytellers — Without Ever Compromising

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How Ashley McBryde Became One Of Country’s Great Storytellers — Without Ever Compromising
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After years of pounding the Nashville pavement, this year’s Groundbreaker has carved out a sweet spot between niche Americana and stadium-scale country-pop.

has found success without much help from country radio. After more than a decade in the business and seven years on the country charts, McBryde has notched only one No. 1 song on“It does piss me off when someone walks out of their mother’s womb into headlining arenas and releasing songs that go No. 1 instantly, 1,000%,” McBryde says.

Radio’s failure to reflect McBryde’s rise speaks to its entrenched problem of gender inequity. “It’s not because female artists haven’t been consistently making great music,” she says. “It’s just that it’s easier to play songs on the radio that sell trucks. I guess it’s sort of pendulum-like, and I think things are starting to swing back in a more equal direction.”

In her songs, McBryde is never explicitly political — yet she also doesn’t shy from topics like religion and inclusivity. “I was raised in a really, really rigid, strict Church of Christ home,” she says. “I was really successfully trained to fear, and we know that hate comes along with fear.

Now she’s just trying not to push herself as hard as she felt she had to in those early days. She’s still working through the effects of a serious 2021 horseback riding accident and fought so hard to resume touring that at one point she was pushed up to the side stage in a wheelchair, then wheeled back to bed after her set. “On one hand, I’m a woman of country music, damn it, and this is what the f–k we’re made of,” she says.

“That’s something that’s different for me than it has ever been: I’m not in a hurry anymore,” McBryde concludes. “We’re good. It’s going to happen.”

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