How art inspired by sexual assault can help survivors heal.
In Laurie Halse Anderson's Speak, Melinda spends art class creating from one word:"tree." Throughout the school year, her medium changes: watercolor trees struck by lightning; carved linoleum blocks; flits of pencil on paper. After Thanksgiving, nearly subconsciously, she places a Barbie head with taped lips atop a turkey carcass.
Throughout much of the legal process, Miller felt powerless to the whims of the system. Writing Know My Name was no easy feat: It dredged up the anxiety, depression, and pain from the aftermath of her assault — and subsequent retraumatizing through court proceedings — all over again. Miller visits bookstores to self-soothe, and uncannily echoes Anderson's point:"I know that anything I've experienced, my experience is somewhere on the shelves.""I also understand how difficult it is to disclose your story, to figure out who you can trust, to even put it into words," Miller says."A book is a very gentle way of engaging in that conversation. It's going to be there for you always.
Sulkowicz first made headlines for her performance art piece in 2014, a year before Miller's assault . In the piece, Sulkowicz carried a 50-pound mattress — identical to those in Columbia University dorms — around campus, and said she would continue to carry it until her rapist was expelled or left the college.
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