.iamRuthECarter shares her journey from striving young artist to one of the most famous costume designers in Hollywood.
— were so painstakingly detailed, so damn beautiful, marked still, perhaps, by the sweat of whoever they last helped come alive. They vibrated with their own worth., was published. What struck me the most was that this extraordinary woman was once just a striving Black girl like so many of us, making her own odds. So I recently gave Carter a call/spoke to Carter over Zoom to talk about how she got here, the legacy she wants to leave behind, and more.
I was landing in a new place I'd never been. But also, I was going someplace where I would be protected. ACQ: What struck me reading your book was that there were so many versions of the Black family, like whether it was working with Spike [Lee], or working with your brother.My brother — two of my brothers — were artists. One actually pursued art professionally. I lived with him to get through illustrations for Spike Lee's. My brother would be in his studio sitting in a big chair in front of the TV, and I'd have to go up to his kitchen and make him a big old vodka orange juice.
Working with Spike Lee and [his production company] 40 Acres and a Mule became my next family. Academia has its mentors, but they're there to teach; you're there to learn. In the professional world, you know that your purpose is to accomplish the goal and deal with it fast.
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