Screenwriter Michael Green and Agatha Christie estate head James Pritchard talk about how 'A Haunting in Venice' brings a new horror tone to the movie franchise.
. As usual, there is a murder for Poirot to solve, but the movie also features a thick streak of the supernatural which sets it apart from 2017's, both of which were also written by Green and directed by Branagh.
Green started to contemplate changing up the franchise in this fashion four years ago while visiting the shoot for. The screenwriter has a vivid memory of walking around the set, fantasizing about making another film. "I started thinking about voices that don't get heard and how one might incorporate that into a story," he reflects. "Then I [had] the idea of a ghost and the idea of Poirot having to face the unknown.
Green admits that he freely adapted Christie's original novel, which features Fey's character but is set in the fictional British village of Woodleigh Common. "I was asked to write the foreword for the mass market paperback tie-in for the film, and I felt like my responsibility for that was to apologize for quite a lot of liberties taken," he says. "It is a great book, but it wasn't a movie, but it was theMichelle Yeoh as Mrs.
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