Guillermo del Toro’s new Pinocchio is a dark reimagining of the classic fairy tale that brings new depth to the classic story.
that are so dark and steeped in sorrow that they make it easy to forget how the musical feature’s also a celebration of love with an emphasis on resisting authoritarianism. Though it’s very much an imaginative and visually dazzling fairy tale, del Toro’snever makes any pretense of trying to downplay that it’s also an anti-fascist morality play aimed at a wide audience.
For all of his wisdom and love of sharing stories, it’s difficult for Geppetto , an elderly carver known for his artful craftsmanship, to put into words what all his son Carlo meant to him before the boy’s untimely death in a church bombing. Set sometime between World War I and World War II,presents Carlo’s death as just one of the countless casualties that can be attributed to Italy’s descent into fascism under the rule of Prime Minister Benito Mussolini .
Because he’s so brand new to the world of the living, Pinocchio has no way of knowing how his ability to walk and talk will terrify his father and other flesh and blood humans when they first meet him. Pinocchio’s also too naive to know that Sebastian , the talking cricket living in his chest and watching over him at the behest of the magical Wood Sprite , is every bit the oddity that he himself is.
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