Graham Swift on What Death Does to Words

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Graham Swift on What Death Does to Words
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“Most of us, when faced with a death, don’t know what to say. It’s human and natural, which doesn’t keep it from being difficult,” the writer Graham Swift said.

” is told from the perspective of a middle-aged woman whose father has died, and who has to instruct the minister on what to say about him at his funeral. How did this idea come to you?

I think the predicament is itself generic. Most of us, when faced with a death, don’t know what to say. It’s human and natural, which doesn’t keep it from being difficult, especially when you are formally required to say something about the dead person. How do you briefly—and publicly—sum up a person’s whole life and at the same time convey all your emotions about that person, not least that of grief? The cliché is perfectly apt: we are “lost for words.

Annie’s flashback to that moment with her father, forty years earlier, involves a carpenter. The memory has an undercurrent of sexual tension: this is the first time that Annie, still a young girl, has felt attracted to a man. How does that moment resonate with her feelings about her father?

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