‘Goodbye Julia’ Review: Two Women Forge a Connection Across Devastating Divides in an Engrossing Sudanese Drama

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‘Goodbye Julia’ Review: Two Women Forge a Connection Across Devastating Divides in an Engrossing Sudanese Drama
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With conflict currently erupting in Sudan, one could be forgiven for approaching Mohamed Kordofani’s “Goodbye Julia,” which takes place in Khartoum during the six years prior to t…

,” which takes place in Khartoum during the six years prior to the 2011 secession of South Sudan, as a worthy, topical history lesson. And it certainly does have merit as a primer for the class, ethnic and religious unrest that besets the troubled state. But what actually transpires is far more engaging, in the vein of Asghar Farhadi, wherein a tight, high-concept moral core unravels into strands of widening, deepening social consequence.

Had she done the right thing and stayed to face the music, likely no further tragedy would have ensued. Instead, having ascertained that the boy is not seriously injured, Mona, infected with her husband’s paranoid racism towards the “slaves” from the south, drives off. Santino, enraged by the hit-and-run, gives chase on his motorcycle and Mona does the second unforgivable thing: She phones Akram to tell him she is being pursued, without giving him the reason why.

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