Good, Strong Scenes that Mean Something: Greta Gerwig’s Little Women

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Good, Strong Scenes that Mean Something: Greta Gerwig’s Little Women
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As the Oscars recede, let's dwell one last time on the astounding achievement of inspired adaptation that is Greta Gerwig's Little Women.

appears to be aerating things a little, but on what grounds did Gerwig not deserve a place on this list? Even in that second language of Hollywood—box office—Gerwig has kicked

’s butt and, given their relative budgets, kept pace decently with Quentin Tarantino and Sam Mendes. Unlike some folks, I don’t actually care what the Academy does. The Oscars are a massive exercise in solipsism, and they’re cynical as hell. I don’t usually watch the ceremony, and I’ve never spent a picosecond worrying about what they are honoring or validating or, God help us,with their choices because that has never remotely seemed to have anything to do with merit. Maybe I’m even more cynical than the Academy—or hey, Todd Phillips—but there it is.

character who has no end of shenanigans with the nefarious Marco from Tropoja. But here, 20 successful adaptations later, we still gotta pretendGerwig has done something amazing with Louisa May Alcott’s incredibly evergreen fictionalization of her own adolescence and early adulthood. She makes it contemporary without betraying its soul.

The film is bookended, if you will, by scenes between Jo and Mr. Dashwood, a curmudgeonly, mutton-chop-sporting publisher .

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