The director discusses pulling off Alicent and Rhaenyra’s reunion, those Game Of Thrones nods, and more.
Center: Geeta Patel ; left and right: Olivia Cooke and Matt Smith in House Of The Dragon without big battles or dragons setting cities ablaze. Despite that lack of action, “The Queen Who Ever Was” still feels monumental because of the charged reunion oftakes in the finale. Another big swing comes in the form of Daemon , whose latest haphazard vision features a cameo from a Targaryen family member and two majorcharacters.
It’s because they couldn’t stay away from each other. Yes, we can reason that it’s because of the kingdom and the realm. But when they come together, they are young girls again. Both actors together become a little juvenile and innocent with their facial expressions, like Olivia biting her nails again. Emma contours their face like a child with exaggeration. That made it grounded and real. My hat is off to Sara, whose writing brought so much humanity to the scene.
I asked them questions, but it was not for them to change the script. Instead, it’s for me to understand what’s intentionally not on the page. And then from there, we start molding the scenes together. I’m constantly checking in with them about what I’m thinking. I push their buttons and say, “No, no, but what about this?” Sometimes they’ll say things like, “No, you’re wrong” or “Okay, sure, let’s try it.” So, at that point, I’m trying to serve them and challenge their vision in a way.
I sat down with the storyboard artist, took everything they told me, and started filling in the blanks of what I thought we needed to get to what they were saying, finding transitions visually between them to give it an organic feel. Ryan wanted the tone of this scene to feel like something specific to. So I spent some time looking to give it that treatment. I was quite honored.
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